Mothers in Shakespeare

1. The beginnings of a Motherless population or The crime against love as humanity When we ar born, we cry that we are come To this big(p) stage of fools. -- William Shakespeare, King Lear We wordly man male monarch Have miserable, mad, identify eyes. -- William Shakespeare, Titus Andronicus The trustworthy mythology of the matriarchal society was that of the Goddess Earth in her ternary aspects: the light Goddess of birth and growth, the red Goddess of war and battle and the erosive Goddess of demolition and divination, praised and respected by men as her intelligences and lovers. She was the embodiment of the power of Space, Time and Matter within whose bounds solely turn and die, the substance of body, configurator of life history and thought, receiver of the deathly for changeover . This was a mythology of unity, the Goddess was the Goddess of Complete Being, and man belonged to the cycles of nature as password and lover of the Goddess. In the course of time, however, the mythology was transformed, reinterpreted and eventually suppressed. The Goddess was demonized and men false into her masters. From the moment Antaeus, son of Gea, was weaned remorselessly by Hercules, son of Zeus, the Cogito ergo sum principle became the overpowering force in the world and the seminal contact with Undine was severed for good.

What William Shakespeare tries to show us are tragic consequences of the myth of love substituted by the myth of power, control and materialism. such view of life reduced to a simple dress up of objects J.C. Ransom calls Platonism. It is above all predat ory for it translates the complexness of lif! e to a set of manageable formulas, it is an impulse to experience and put on the richness of life out of fear that much(prenominal) complexity magnate annihilate our... If you want to get a full essay, commit it on our website: OrderCustomPaper.com

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